Category Archives: TV Series

The Walking Dead Soundtrack: Bear McCreary’s Long-Awaited Score Will Be Released by Lakeshore and Sparks & Shadows | Entertainment Weekly

Lakeshore Records is thrilled to be releasing Bear McCreary’s long-awaited score to the global phenomenon that is The Walking Dead!  More information is now exclusively at EW.com.  Stay tuned for more details on this co-release with Sparks & Shadows.
 

 

THE WALKING DEAD returns with Season 8 in October 2017 on AMC.

 

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Legion Vol. 2 Soundtrack: More Music by Jeff Russo + The Sought After ‘Fauxlero’ and ‘Rainbow Connection’ Tracks Are Out Now

Legion Season 1 Soundtrack Volume 2 | Lakeshore Records

“[‘Caper 1’] is a signature slice of the striking score that is both hypnotically pointed and ominously orchestral” – Mike Ragogna, HuffPost Entertainment

Lakeshore Records is excited to release Legion Volume 2 (Original Television Series Soundtrack) available now digitally!  The album contains additional original music by Jeff Russo (“Fargo”, “The Night Of”) with two sought after pieces – the special Legion “Fauxlero” version of Maurice Ravel’s “Bolero” and Dan Stevens performing The Muppets’ classic “The Rainbow Connection” on banjo.  Hear the full song, “Caper 1” now featured at HuffPost Entertainment!  See full album details below.

“So glad to be releasing volume two of the season one score. There were a number of cues that we just couldn’t let out of the bag until after we aired,” said Jeff Russo. 

 

Soundtrack Available Now: [Download/Stream]

LEGION is produced by FX Productions and Marvel Television.

Continue reading Legion Vol. 2 Soundtrack: More Music by Jeff Russo + The Sought After ‘Fauxlero’ and ‘Rainbow Connection’ Tracks Are Out Now

Mr. Robot Soundtrack: Two Volumes of Mac Quayle’s Season 2 Score Out This Summer (Details)!

Mr. Robot, Vol. 3 - Mac Quayle | Lakeshore Records

Lakeshore Records will release the first of two volumes of music from the second season of Mr. Robot, the EMMY®, Golden Globe®, and Peabody Award-Winning USA Network series!  MR. ROBOT V.3 will be digitally released on June 9, while the V.3 CD and the second volume, MR. ROBOT V.4, both digital and CD, are set to release later this summer. Volumes 3 and 4 feature the original score by composer Mac Quayle (“Feud: Bette And Joan”, “American Horror Story”), who won the EMMY® for his music in MR. ROBOT Season 1 (watch the playlist below). Later this year, Invada Records, in partnership with Lakeshore Records, will release a special LP package.  See more album details below.

“If the first season of MR. ROBOT took us into Elliot’s mind, the second season drew us deeper into his subconscious,” said Composer Mac Quayle. “As we learned, it’s pretty dark in there and so naturally the music followed suit. Darker, weirder, more dissonant, more paranoid.”

Pre-order Mr. Robot, Vol. 3: [iTunes]

Stream Mr. Robot Season 2 now at USA Network (cable provider login required) or download on iTunes (get it here).  

Continue reading Mr. Robot Soundtrack: Two Volumes of Mac Quayle’s Season 2 Score Out This Summer (Details)!

EXCLUSIVE! Mr. Robot, Vol. 3: Hear The Debut Track From Mac Quayle’s Season 2 Score! | Pitchfork

Mr. Robot, Vol. 3 - Mac Quayle | Lakeshore Records

“Mr. Robot” fans will be happy to hear there will be a Season 2 soundtrack, coming soon via Lakeshore Records!  Sam Esmail’s Golden Globe® and EMMY®-winning TV series has won awards for Best Dramatic Series, Best Actor, and Best Score for composer Mac Quayle!  In anticipation of the Mr. Robot, Volume 3 soundtrack release, Pitchfork has the exclusive track premiere of “2.3_1-steel-v4lley.webm”, and you can hear it here.  Satisfy your jones for more of Mac’s infectious score!  In case you need a refresher, preview the entire Season 1 soundtrack below.

Pre-order The Album: [iTunes]

Stream Mr. Robot Season 2 now at USA Network (cable provider login required) or download on iTunes (get it here).  

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‘The Handmaid’s Tale’ Is One of The Most Anticipated TV Shows in Years!

The Handmaid's Tale on Hulu | Lakeshore Records

Hulu’s upcoming “The Handmaid’s Tale” is one of the most anticipated TV shows in years!  Adapted from Margaret Atwood’s classic novel, the series premieres Wednesday, April 26 only on Hulu.

Here’s what critics are saying:

A faithful adaptation of the book that also brings new layers to Atwood’s totalitarian, sexist world of forced surrogate motherhood, this series is meticulously paced, brutal, visually stunning, and so suspenseful from moment to moment that only at the end of each hour will you feel fully at liberty to exhale. – Jen Chaney, Vulture

This is, in my opinion, the best adaptation to date, and it still stands as a deeply disturbing cautionary tale. We’d be foolish to ignore it. I can’t recommend it more highly. – Michelle Starr, CNET

In all my years of writing about television, no one series has affected me as much as The Handmaid’s Tale. – Alicia Lutes, Nerdist

None of this would work without a great performance at its center, and as Offred, Moss is astonishing. … At every corner, The Handmaid’s Tale brims with invention. – Todd VanDerWerff, Vox.com

This is probably the spring’s best new show and certainly its most important. – Dan Fienberg, The Hollywood Reporter

One of the best shows of the year so far, at times hard to watch but impossible to ignore. … [Elisabeth Moss] fully commands each and every moment, every swallowed emotion and thought. – Liz Shannon Miller, IndieWire

As a show, The Handmaid’s Tale is as crisply and elegantly made as anything I’ve seen on TV this year. It manages to bring a dystopian story to life in a way that works as episodic TV, sapping none of the book’s power. This is a show that could work anytime and one that will likely be watched and discussed for years to come. – Daniel D’Addario, Time

Moss’ barely-restrained fury over her new lot in life is gorgeous to behold–the other characters are equally compelling. And when we see moments that Offred simply cannot (one book diversion pertaining to Bledel’s handmaid character, Ofglen, comes to mind), that story amplification pays off. –  Kimberly Roots, TV Line

[Elisabeth Moss’] take-and the show’s take–on the character is a distinct blend of what Atwood once identified as the main thrust of Canadian literature (survival) and a gumption most closely associated with the country Offred once called America. This can cause some tonal clash in the voice-over–the mission statement that closes episode one feels like it belongs in a different show–but it also gives The Handmaid’s Tale the necessary verve for an ongoing series. – Eric Adams, The AV Club

 


 

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